Event Calendar

Sunday, April 21, 2019

All day
Before 1am
9:30 AM
Room 508
Poetry Reading Circle
Poetry Reading Circle
Sunday, April 21, 2019 - 9:30am
Room 508

Bring poems you like. Or, perhaps April’s National Poetry Month and Earth Day will inspire you!

Cheryl Gross Presides.

10:00 AM
Ceremonial Hall
Chorus Practice
Chorus Practice
Sunday, April 21, 2019 - 10:00am
Ceremonial Hall

Led by David Gracia and Pat Debrovner

Practice the songs we sing on Sunday mornings – and get some tips to improve your singing technique.

11:00 AM
Ceremonial Hall - 4th floor
Sunday Platform - The Dream Unfinished: "Music for Mother Earth" Panel and Performance
Sunday Platform - The Dream Unfinished: "Music for Mother Earth" Panel and Performance
Sunday, April 21, 2019 - 11:00am
Ceremonial Hall - 4th floor

Bridging the work of composers and activists who hail from communities impacted by climate change, activist orchestra The Dream Unfinished presents Deep River, a 2019 series of events throughout New York City that use classical music as a platform for dialogue surrounding the under-appreciated intersection of climate and social justice. Kick off our season with us at our launch, hosted by the New York Society for Ethical Culture on April 21st, Earth Day Sunday.

About The Dream Unfinished:

The Dream Unfinished is an activist orchestra. Its mission is to use classical music as a platform to engage audiences in dialogues surrounding social and racial justice. Since 2015, The Dream Unfinished has staged performances throughout Manhattan, Brooklyn, the Bronx and Queens, and partnered with organizations such as the Center for Constitutional Rights, Black Women's Blueprint, African American Policy Forum, and others. Past seasons have centered on police brutality, the #SayHerName movement, the school to prison pipeline, and the current immigration crisis. The Dream Unfinished has people of color in the orchestra, in the music, behind the scenes, and in the audiences. We are an orchestra that looks and sounds like New York City, and through music, explores pressing issues which are affecting our communities.

Panelists: Laura Kaminsky, Eun Lee, Kyle Walker, Emily Kalish


Harry Burleigh/Samuel Coleridge Taylor/Maud Powell - Deep River

Laura Kaminsky - undercurrent

Roberto Sierra - Sonata para violín y piano (2010) - I. Expresivo, IV. Rítmico


Laura Kaminsky, “one of the top 35 female composers in classical music” (The Washington Post), frequently addresses issues including sustainability, war, and human rights in her work. “Full of fire as well as ice, (she writes) in an idiom that contrasts dissonance and violence with tonal beauty and meditative reflection. It is strong stuff.” (American Record Guide) With co-librettists Mark Campbell and Kimberly Reed she has created the most widely-produced contemporary opera in the U.S., As One (2014), Some Light Emerges(Houston Grand Opera 2017), and the forthcoming Today It Rains(Opera Parallèle/American Opera Projects 2019). Upcoming: a Piano Quintet for Ursula Oppens and the Cassatt String Quartet; and with Reed, Postville, inspired by the unprecedented and devastating immigration raid there in 2008, for a consortium led by Santa Fe and San Francisco Operas. She is head of composition at the Conservatory of Music/SUNY Purchase.

As a teacher, musician and arts professional, Eun Lee has prioritized socially relevant musical experiences for audiences of all ages. From 2012 to 2016 Eun worked as a teaching artist throughout New York City, and since 2015 has worked as an administrator at institutions such as the Diller-Quaile School of Music and Orchestra of St. Luke’s. She currently serves as a Manager of Learning and Engagement Programs at Carnegie Hall’s Weill Music Institute. Eun is also the executive director of The Dream Unfinished, an Activist Orchestra, which she co-founded in 2014. She has been invited to speak on The Dream Unfinished at Chamber Music America, the Kennedy Center, Harvard University, and others.

Emily Kalish, violinist, is committed to bringing audiences thoughtful, imaginative and emotionally honest interpretations of the classical repertoire as well as exciting new works by 21st-century composers. She is a producer and performer for The Dream Unfinished, an activist orchestra which supports NYC-based civil rights organizations through concerts and presentations. She currently holds positions in the Binghamton Philharmonic and Hudson Valley Philharmonic. A dedicated teacher, she is on the faculty of Concordia Conservatory of Music. In 2016 she and James Bergin co-founded Williamstown Orchestra Workshop, an intensive summer workshop for children ages 8-16. Ms. Kalish holds a Bachelor’s degree from the Hartt School in Connecticut, where she studied with Dr. Katie Lansdale, and a Master’s from Manhattan School of Music, where she studied with Burton Kaplan.

Critically-acclaimed pianist Kyle P. Walker has been featured on WNYC, WQXR, NPR, and UNC-TV. Recent performances include his debut solo recital at Weill Hall at Carnegie Hall, Lincoln Center, Stern Auditorium at Carnegie Hall, The Tantaloona Cave of Australia, and the Lied Center of Kansas. Highlights of this season include concerto, chamber, and solo appearances with the Colour of Music Festival Orchestra, a Lincoln Center appearance alongside Miss America 2019, and a U.S. solo recital tour. He is currently touring a solo performance project entitled Bach to BlackNotes, which features the music of J.S. Bach juxtaposed with music of neglected composers who speak to issues of oppression and inequality. See and hear more of Kyle’s musicianship on Instagram @klassicalkyle and at www.kylewalkerpiano.com.

Presider: Leader Anne Klaeysen

Shared Charity: The Dream Unfinished

11:00 AM
Elliott Library, Room 507
CANCELLED - Young Ethical Explorers: Animating Ethics Workshop
CANCELLED - Young Ethical Explorers: Animating Ethics Workshop
Sunday, April 21, 2019 - 11:00am
Elliott Library, Room 507

NOTE: This week's program has been cancelled. We'll see you next week!


Join us every third Sunday for our Animating Ethics Workshop with Amy Reid!

April's theme: Mother Earth

Children care about their fellow creatures on earth. This month YEE will explore the evolution and wellbeing of creatures on planet Earth. We will learn about some of humanity’s efforts to stand up for animals in the face of misunderstanding, mistreatment, and extinction.


Weekly Schedule (subject to change)

11am: Ceremonial Hall, 4th floor - Ethical's inclusive community gathers for greetings and music.

11:15am: Adults and teens may choose to stya for the Morning Meeting. Children will be led to Elliott Library on the 5th floor for an independent project of friendship, creativity, and deed.

12:30pm: Pick-up on the 5th floor or on the playground (6th floor) weather permitting.

Lunch & Social Hour (Cafeteria, 6th floor). Children and teens always eat free! Complimentary lunch for first-time newcomer parents/caregivers.

12:30-2pm Family playground time (6th floor), weather permitting.

Send RSVPs or inquiries to EthicsForChildren@nysec.org. For more information, visit YoungEthicalExplorers.blogspot.com.

12:45 PM
School Cafeteria, 6th Floor
Lunch & Social Hour
Lunch & Social Hour
Sunday, April 21, 2019 - 12:45pm
School Cafeteria, 6th Floor
1:30 PM
Ceremonial Hall (4th Floor)
Film & Discussion: Color Adjustment by Marlon Riggs
Film & Discussion: Color Adjustment by Marlon Riggs
Sunday, April 21, 2019 - 1:30pm
Ceremonial Hall (4th Floor)

Our monthly social justice documentary and discussion series, every 3rd Sunday! Presented by the Ethical Action Committee.

Color Adjustment is the second documentary we are showing by Marlon Riggs (last month we saw Ethnic Notions) as part of an attempt to enable us to gain insight into how much subliminal racism in the media continues to influence our perceptions of race. Color Adjustments analyzes the evolutions of American television’s portraits of blacks from 1948 through 1988.

MARLON RIGGS was a black gay writer, filmmaker, and social activist who died in 1994 from Aids. The New Yorker magazine (2/11/2019), in writing about the retrospective of his work at the Brooklyn Academy of Music in February, said his films “are essays in the truest sense of the word – attempts at describing the world both metaphorically and actually.”